During the time he is writing his book… 931 Words 4 Pages and artists around the world and Miles Davis is considered one of the finest in the jazz genre. In September 1944 Davis… 542 Words 3 Pages The Green Mile For my third quarter book report I read The Green Mile written by Stephen King. He was extremely genuine and forthright about his life, even admitting to slapping and abusing women, which is brave, only because it isn't mandatory to reveal such scurrilous behavior. For the most part, Miles has little bad to say about anyone in this book. This is a whole different culture here, a whole different world. If interested, I wrote a thorough review over on the blog: this was a very candid, no holds barred autobiography. Only when I started hearing the upper register did I play there.
The hardest he ever had to work was with the quintet of Shorter, Hancock, Carter and Williams, with Williams always trying to push him into the more frantic territory then being occupied by Coltrane, Ayler etc. The man who has given us some of the most exciting music of the past few decades has now given us a compelling and fascinating autobiography, featuring a concise discography and thirty-two pages of photographs. Even when there he went to the clubs on 52nd street in Harlem. He condemns the racism he has encountered in the music business and in American society generally. Miles Davis has said that the greatest musical experience of his life was hearing the Billy Eckstine orchestra when it passed through St. Though his shows are never boring, you're not quite sure how you feel about them afterward.
The narrative really reads like you are being spoken to in Davis' tone, cadence and patois. And treat yourself to a shot of the liquor of your choice every time he calls someone or something a motherfucker. Mind you, the book is roughly 400 pages. It has I love this book. Miles Davis took up the trumpet at the age of 13 and was playing professionally two years later. But he wouldn't go, although the apparent teetering particularly on the live recordings is a fascinating aspect of what I would happily argue was his greatest band.
Or is there something pathetic about the sight of a sixty-three-year-old man in clogs, parachute pants. But that i An absolute must for musicians and fans. Where are you white boy? Luis he mostly played his trumpet. Sitting across from me he continues telling me about his life. He speaks frankly and openly about his drug problem and how he overcame it.
New instruments like synthesizers and them other things people play make everything different. Davis thought for good reason that he was a wonderful musician and didn't let anyone dissuade him. At the same time, as a young musician, Miles did everything he could to be around Bird and Dizzy, so he could learn what they were doing. For the first time Miles talks about his five-year silence. With the exception of the very last chapter, when he struggles to sum it all up, and does so mostly in clichés, the narrative is powerful and absorbing, and often enlightening about the musical developments in which Davis played so crucial a role. Universally acclaimed as a musical genius, Miles is one of the most important and influential musicians in the world.
At the same time, in many respects this book is a name dropping list of great musicians Davis worked with and for and lauched. It has to get down inside your body, up into your blood before you can do it correctly. I admire the sheer immersion in his music played through his trumpet and the ongoing composition of melodies and themes flooding his mind. I now have this book as the 2nd best biography I have ever read. Laying a line of cocaine on the tabletop, he snorts it then orders another drink.
I have since listened to the Kind of Blue which many consider his magnum opus. For those who are interested in the first, it is Arthur Ashe. As with everything else he has done, Davis's work as writer is likely to raise controversy. Should you be a fan of Miles Davis, as I am, this honestly written book about him is for you. He tells it like he lived it and does not pretty it up.
If you thought you knew everything about Miles Davis you might want to read this book to find out otherwise. Even twenty years after he died, Miles Davis remains a giant of American music, and one of the most famous and talented jazz musicians who ever lived. This is a very honest autobiography. Indeed, he is just as harsh on black people as he is on whites, and the black person he is harshest upon has to be himself. He prefers to say what he has to say, to tell his true feelings, even when what he has to say hurts him and others. It seems to me listening to him but escaping the heat of those dark eyes for a moment, that addiction refers to a physical organic malady that must be contended with and an obsession, well that is something emotional, psychological. It's just a real honest look at a musical genius who gives it all to you Straight, No Chaser referencing Thelonious Monk with all of the warts and flaws included.
I admired his strength of character and his determination to succeed in whatever mission he happened to be on. Living is an adventure and challenge. Later in the 1960s, Herbie Hancock was a member of his band. My father was the son of a farmer and spent his life building houses for people. His band members are his family, not just them but his mentors and the legends he has played with, joined with as friends in a culture where change of personnel within a band and in life is so frequent that little stays long enough within the furrows of soil to take root. This image is perpetuated by his autobiography, co-authored by Quincy Troupe, who in an Afterword, indicates that he spent countless hours with Davis, taking copious notes and taping extended conversations with him.
But Miles came damn close to challenging for that number one spot. I mean a blood family? I later used the music on the album to jar students in a training class to think creativity, but have not listened to the album in years. Davis gets some bonus points from me for his kind mention of Jerry Garcia, and his acknowledgement that the DeadHeads he doesn't use that word would come back to listen to him in San Francisico when he played there again. . Miles: The Autobiography, like Miles himself, holds nothing back.