The man returned to the passenger side and opened the door. The plot involves a homeowner avariciously renting out his house to a number of people and then using his ownership and rental to further control the tenants lives. He begins to landlord it over his tenants, and they respond by fearfully conceding to his increasingly absurd demands, and by huffing and puffing for all they're worth. Polá ček's unerring use of colloquial language, in Peter Kussi's excellent translation, enlivens his dark view of people's motives, values, and dreams. I can only guess how many cars were now lined up behind the rumbling tractor-trailer, braked on the decline of High Street behind me. Digital Library Federation, December 2002. Perhaps the car wasn't what the license plate referred to.
Register a Free 1 month Trial Account. Soon, however, Faktor imposes demands upon them: not allowing guests on the premises, restricting tenant access to the whole of the property, and even encouraging a mole to spy on the others in exchange for rent. At first generous towards his tenants--a timid government clerk, a desperately poor, one-legged newspaper dealer, a schoolteacher and their respective families--Faktor soon begins to terrorize them, forbidding such ordinary activities as using the courtyard or entertaining friends and persuading the newspaper dealer's wife to spy on the others in exchange for keeping her apartment. . While the descriptions of countrysides and city scenes are beautiful and poetic and the author employs strong memorable metaphors, the characters are very one-dimensional and their spiteful dialogues and thoughts on power seem unimaginative, mundane and unoriginal. Shortly, a car pulled up next to the man just as a tractor-trailer braked loudly behind me, stopped, and idled menacingly. They don't change from scene to scene or when presented with the same problem again and again.
I had been struggling with this book. Responsibility: by Karel Poláček ; translated from the Czech and introduction by Peter Kussi. He was looking out expectantly toward the street. Now, both the man and a vehicle were holding up traffic, not only to the hardware store but to one of the main intersections in town. The man gestured to the driver and started walking to the driver's side, the driver gestured back and shouted something I couldn't hear. It was only as it drove off that I noticed the license plate on the cause of this congestion.
Poláčkovy prózy lze rozdělit na humoristické a společensko-kritické. A passenger, without much more trouble to himself, could have easily waited there for his ride. This darkly humorous novel is now available in English for the first time. While the descriptions of countrysides and city scenes are beautiful and poetic and the author employs strong memorable metaphors, the characters are very one-dimensional and their spiteful dialogues and thoughts on power seem unimaginative, mundane and unoriginal. This aspect of the novel was disappointing especially because the descriptions of city life or neighborhood activity or the change of seasons were so rich. I saw that there were two vacant parking spaces adjacent to the parking lot entrance. It looked now as if he intended to simply get in the car and it would drive off.
In a new lower-middle-class suburb of Prague, police sergeant Jan Faktor scrapes together enough money to build a rental apartment building. They fearfully concede for a time, but then begin to take a stand. Poláčka představuje jednu z nejvýznamnějších hodnot české meziválečné prózy. What Ownership S All About Kussi Peter Polcek Karel can be very useful guide, and what ownership s all about kussi peter polcek karel play an important role in your products. His tenants—poor, working-class people—are treated well at first. Exploring the thin line between legitimate authority and barbarism, this carefully translated 1928 novel hauntingly foreshadows the rise of fascism, which claimed the life of its Czech-Jewish author in a Nazi concentration camp in 1944.
As they finally drove off, and the cargo van was allowed to exit, I entered the parking lot, leaving High Street open to the 18-wheeler and the accumulated traffic. Jan Faktor, a policeman, builds a three-family house on the outskirts of Prague. I had just met the people I'd been struggling to relate to in the novel. I was going to wait, of course, for the van to exit before entering, but I then noticed an older man standing in the middle of the driveway blocking any traffic to or from the parking lot. It was a big lumbering sedan, nothing special. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. The E-mail message field is required.
Karel Poláček byl český spisovatel, humorista, novinář a filmový scenárista. Other Titles: Dům na prědměstí. There are passages, particularly when the landlord is posting prohibitions to the tenants or the tenants are reading the signs that reminded me of Orwell's Animal Farm. Ve svých humoristických románech se zaměřil na zobrazení tragikomedie maloměstského života. He sat in the car and carefully tapped his feet on the car threshold to knock off the sleet before closing the door so they could proceed.
With a sharp ear for dialogue and some sympathy for the social pretensions of the Czech petit bourgeoisie, Polacek handles this nightmarish persecution humorously, resolving it with an upbeat ending that has all the earmarks of a fairy tale. Snad nejúspěšnějším dílem je posmrtně vydaný příběh Petra Bajzy Bylo nás pět. It's interesting that this novel was published in 1928, but its satirical tyrannies foreshadow the very real brutalities of the Nazi and Communist dictatorships. Jan Faktor fulfills his dream and builds a three-unit rental building. The problem is that once you have gotten your nifty new product, the what ownership s all about kussi peter polcek karel gets a brief glance, maybe a once over, but it often tends to get discarded or lost with the original packaging.
Then, however, I was making my way to the local hardware store in my truck, and about to turn into the parking lot when I saw a large cargo van waiting to exit. I had been struggling with this book. The number four, the letter U, the letter two, then the letters, N and V. I realized I hadn't even noticed the make of car being driven. Then, however, I was making my wa The plot involves a homeowner avariciously renting out his house to a number of people and then using his ownership and rental to further control the tenants lives. Talking to others or talking to themselves, his characters are stripped right down to their language. Part of Catbird's Garrigue series, which introduces little-known Czech authors to the American public, this work provides a link for readers between Polacek's generation of Czech humorists and those writing today, such as Bohumil Hrabal.
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